Various Sound Sources
sold out at the moment
The Sebsongs Modular Sampler DIY kits are now coming with presoldered surface mount components, making the DIY kit faster and easier to build.The Sebsongs Modular SAMPLER is an intuitive 12 bit audio recorder and manipulator designed for short loops and one shots. Sounds can be recorded either with the built in microphone or a mono input jack, which can handle anything from a regular laptop or smartphone to modular level signals. The SAMPLER has granular control of the recorded audio and you can play around with pitch, forward and reverse, start position and loop length (or connect cv/gate to any parameter) to open up a world of interesting sounds!The SAMPLER can be used in looping mode, where for instance time stretch like effects can be obtained easily by modulating the start parameter, or in one shot mode where the reset input is used to trigger playback of the recorded audio and the SAMPLER can function as a drum sample player.The maximum recording length is around 3.5 seconds in the highest sample rate (pitch control fully forward or reverse). If you lower the pitch you get longer recording time. Change the pitch while sampling to obtain pitch fluctuations and tape stop effects.Sound can be recorded either with the built in electret microphone or via mono input jack*. The audio input has enough gain for amplifying regular laptop or smartphone headphone outputs, and the input can also handle modular level signals.* If connecting stereo signal from a laptop / smartphone via either TS or TRS mini jack cable it is advisable to pan the source fully left to avoid distortion.DIY-Kit-Type:SMD-Kit-1. This is a Do-It-Yourself kit, not an assembled module. The kit includes all parts to build the module. All SMD parts are pre-soldered, only trough-hole parts to solder. For build guide, more info, videos etc. please check the buttons below.
available
A Genuine Wave Craftsman! The Jeweler Cast melts, bends, and chisels all types of signals, audio, or CV. Composed of two independent sections, the Mix, and the Shaper, the Jeweler Cast combines a ring modulator, a crossfader, a wavefolder and a distortion. Thanks to its tool ensemble, this fully analog yet compact module can manipulate basic waveforms and complex signals in infinite ways.Features:• Mix section crossfading between three sources including a ring modulator• Shape section acting as a wavefolder or a heavy distorsion• Bypass (dry signal) of the shape section at minimum setting• Processing audio or CV signals• AC coupling switchDIY-Kit-Type:SMD-Kit-1. This is a Do-It-Yourself kit, not an assembled module. The kit includes all parts to build the module. All SMD parts are pre-soldered, only trough-hole parts to solder. For build guide, more info, videos etc. please check the buttons below.
sold out at the moment
Discover the Touch 2, an instrument designed for hands-on control and tactile interaction. Easily upload different instruments via USB and start playing instantly!Open source instruments included: BASS // STRING // LOOPER // FX // DRUMS // SLICERCheck out the product page for the complete instrument list, download links, and videos. https://www.synthux.academy/simple-synth/touch2Key Features:Swappable Faceplates: Includes 4 different faceplates for versatile performance.12 Touch Pads: Experience a responsive, tactile performance every time.Powered by the Daisy Seed microcontroller, the Touch 2 delivers incredible sound quality with any instrument you load onto it. Plus, it's fully programmable! Create your own unique instruments using C++, Arduino, Max, or Puredata.Upgrade your music-making experience with the Touch 2. Order now and elevate your performance!Features:• Programmable. All Simple kits come with the Daisy Seed microcontroller and access to our introduction to synth programming video course.• Open source instrument on Github.• Each kit comes with a video course teaching sound fundamentals: https://learn.synthux.academy/• Powerful music instrument for live performances.DIY-Kit-Type:SMD-Kit-1. This is a Do-It-Yourself kit, not an assembled module. The kit includes all parts to build the module. All SMD parts are pre-soldered, only trough-hole parts to solder. For build guide, more info, videos etc. please check the buttons below.
available
Skorn da Bask is a expert for creating Drones. Its composed 3 analog Oszillator and a low pass filter. The VCOs can not only be used to generate audio signals, but for modulating the VCF’s cutoff frequency as well.Features:• 3 analog OSCillators/LFOs• 1 analog Low Pass Filter (24dB)• Osc 1, 2, 3 CV Modulation input• Filter Audio Input• Filter Modulation inputDIY-Kit-Type:SMD-Kit-1. This is a Do-It-Yourself kit, not an assembled module. The kit includes all parts to build the module. All SMD parts are pre-soldered, only trough-hole parts to solder. For build guide, more info, videos etc. please check the buttons below.
sold out at the moment
Drums are the heart! AD110 is a 6-voice analog drum module inspired by the vintage Japanese machines with the same number. The module produces 6 voices; kick drum, snare drum, hand clap, closed hi-hat, open hi-hat, and ride cymbal, all of which are contained in a very compact 16 HP Eurorack module!Knob colors might differ from pictures, currently not all parts are available from time to time.Kits packed according to revision AKFeatures• Faithful recreation of all 6 DR110 voices outputted in Eurorack signal format.• Additional tone adjustments beyond the standard DR110 settings: Kick pitch/resonance, Snare pitch/decay, Cymbal decay, and Clap spread/reverb.• Individual outs + mix out with accent input.• All through-hole parts (DIY Version) and no rare parts.DIY-Kit-Type:SMD-Kit-1. This is a Do-It-Yourself kit, not an assembled module. The kit includes all parts to build the module. All SMD parts are pre-soldered, only trough-hole parts to solder. For build guide, more info, videos etc. please check the buttons below.
available
Bass and more! B2 contains everything you need to create deep, thumping kick drums or cutting bass lines in one compact 14HP unit: A 1 V/Oct VCO with 4 waveforms, a 3-way waveform mixer with sub-octave sine wave, 2 fast, switchable AR/AD envelope generators, a high quality VCA, and a multi-mode VCF for additional tone shaping!Knob colors might differ from pictures.Kits packed according to Revision AENew features of B2 from B1• New reset/trigger circuit and faster minimum attack times (~25uS) without artifacts• Sub-octave sine• Wave select saw or 2x saw• New VCF with LP/BP/HP selection• Stable voltage references for VCO stability under power supply fluctuations• All OTAs are LM13700 for easy parts sourcingDIY-Kit-Type:SMD-Kit-1. This is a Do-It-Yourself kit, not an assembled module. The kit includes all parts to build the module. All SMD parts are pre-soldered, only trough-hole parts to solder. For build guide, more info, videos etc. please check the buttons below.
available
The Trepanator is a 14 HP analog “Bent by Design” experimental instrument featuring a Dual VCO, Difference Rectifier, 3-band EQ, Sample/Track and Hold, and SVF (state variable filter) all built into one nonlinear module. Its origins trace back to a love for Rob Hordijk’s Benjolin and patching a similar pseudo chaotic feedback-based instrument from scratch using all Zlob modules.Although not based on Hordijk’s circuit or signal flow, it uses a similar architecture of dual voltage controlled oscillators, an “interference pattern generator,” a state variable filter, and internalized cross-patched feedback. Instead of a Rungler and comparator the Trepanator uses a sample/track and hold with slew, a difference/rectifier circuit (based on NLC), and a self-oscillating 3-band EQ. Utilizing this excessive feedback between the VCO’s, EQ, S/H, and SVF, creates a completely new instrument for discovering abstract electronic sounds. The Trepanator is a highly interactive, unpredictable, and an immediate instrument capable of a huge range of organic and sounds from: snarling, plucking, bubbling, screaming, gurgling, hissing, grunting, pinging, and quacking, to machine like rhythmic loops, circuit bent broken modem sounds, no-input mixer screeching, intermittent short wave radio fizzling, and full on Harsh Noise Wall all within the touch of a fader or a small knob turn without any external audio or any control voltage in.Double Sided PCB panel with Classic and Soulless.For more info consult the manual below and signal flow chart.RIP Rob HordijkDIY-Kit-Type:THT-Kit-1. This is a Do-It-Yourself kit, not an assembled module. The kit includes all parts to build the module. Only trough-hole parts to solder. Make sure to check the build guide before you buy. For build guide, more info, videos etc. please check the buttons below.
available
VC F3DB stands for Voltage Controlled Fixed Filter Feedback Distortion Bank. The simplest description is it’s an analog 16hp six band voltage controlled fixed filter bank. But with the additions of so much gain, clipping, feedback, and self-oscillation it becomes a very flexible and unique gestural sound sculpting tool capable of; graphic equalization over 6 octaves, multi-band distortion, spectral processing, crude vocoding, multi-frequency envelope following, self-modulation, and even as an instrument on its own. With no input it can be used as a pseudo chaotic “harmonic” feedback oscillator.The filter frequencies were specifically chosen to emphasize more ambiguous and dissonant intervals. Although the frequency bands are spread out over many octaves I purposely tried to leave out “3rds” besides a major 10th at the top frequencies to even out all the dissonance below. But the frequencies aren’t exactly equal tempered, so it’s relative. The bands roughly equate to F2, B3, F#5, C6, F7, A8.The design is based on the Moog 914 filterbank, which it borrows the frequency bands from. But this circuit uses active filters with opamps inspired by YU Synth opposed to passive cells using inductors on the original. The 88hz is a low pass -24db/oct and 7k is a high pass -24db/oct, the rest are -12db/oct band pass filters all with a Q around 4.The hard and soft clipping circuit on the input is fairly standard which appears in many different iterations of classic guitar pedals. But it has a lot of gain and can even boost line level signals. What makes it a bit unique is the feedback on the clipping circuit which needs to be turned on by the GFB(gain feedback) switch and the amount can be controlled by the Gain FB pot which can add some fuzz/bite to the signal depending on which clipping switch is engaged or at the extremes it will self oscillate from audio rate to LFO sort of clicking range. All the clipping stages in the module are using silicon diodes.Consult the Signal Flow Chart to the left for a rough visual breakdown of the controls,in/outs,normalizations, and optional settings for the module.Each band can also be muted by the top toggle switches or clipped(at the VCA) by the top slide switch which makes this design a bit different than other filter banks. As well as the overall feedback section(bottom middle) takes the sum/all bands out through a VCA(controlled by the feedback pot and FB CV) back to the input gain/clip circuit. and you can also tap into this using different sends/bands to the FB In jack to break the normalization. With this extra feedback “resonance” you can get more whistley and howly filter sounds kinda like the Serge res eq, which can also go into self oscillation.All CV ins are expecting +5v to open the VCAs (they wont respond to negative voltage), once you get closer to +8v or so it can clip the VCA regardless of the gain settings or clip switches. Output amplitude in high gain settings will exceed 10vpp and can get up to 20vpp. The envelope followers tend to stay around 0-5v out, but with clip switch active they can go up to 10v.Since this is a high gain module there can be bleed between the bands in certain configurations and situations. Also in high gain modes with higher frequencies the 2.8k and 7k bands can bleed a little with the VCAs closed.This is a highly involved DIY all through hole project. It is a long build with 5 different pcbs to solder and assemble.DIY-Kit-Type:THT-Kit-1. This is a Do-It-Yourself kit, not an assembled module. The kit includes all parts to build the module. Only trough-hole parts to solder. Make sure to check the build guide before you buy. For build guide, more info, videos etc. please check the buttons below.
only 2 left
This is the panel PCB version of this kit.VC F3DB stands for Voltage Controlled Fixed Filter Feedback Distortion Bank. The simplest description is it’s an analog 16hp six band voltage controlled fixed filter bank. But with the additions of so much gain, clipping, feedback, and self-oscillation it becomes a very flexible and unique gestural sound sculpting tool capable of; graphic equalization over 6 octaves, multi-band distortion, spectral processing, crude vocoding, multi-frequency envelope following, self-modulation, and even as an instrument on its own. With no input it can be used as a pseudo chaotic “harmonic” feedback oscillator.The filter frequencies were specifically chosen to emphasize more ambiguous and dissonant intervals. Although the frequency bands are spread out over many octaves I purposely tried to leave out “3rds” besides a major 10th at the top frequencies to even out all the dissonance below. But the frequencies aren’t exactly equal tempered, so it’s relative. The bands roughly equate to F2, B3, F#5, C6, F7, A8.The design is based on the Moog 914 filterbank, which it borrows the frequency bands from. But this circuit uses active filters with opamps inspired by YU Synth opposed to passive cells using inductors on the original. The 88hz is a low pass -24db/oct and 7k is a high pass -24db/oct, the rest are -12db/oct band pass filters all with a Q around 4.The hard and soft clipping circuit on the input is fairly standard which appears in many different iterations of classic guitar pedals. But it has a lot of gain and can even boost line level signals. What makes it a bit unique is the feedback on the clipping circuit which needs to be turned on by the GFB(gain feedback) switch and the amount can be controlled by the Gain FB pot which can add some fuzz/bite to the signal depending on which clipping switch is engaged or at the extremes it will self oscillate from audio rate to LFO sort of clicking range. All the clipping stages in the module are using silicon diodes.Consult the Signal Flow Chart to the left for a rough visual breakdown of the controls,in/outs,normalizations, and optional settings for the module.Each band can also be muted by the top toggle switches or clipped (at the VCA) by the top slide switch which makes this design a bit different than other filter banks. As well as the overall feedback section(bottom middle) takes the sum/all bands out through a VCA (controlled by the feedback pot and FB CV) back to the input gain/clip circuit. and you can also tap into this using different sends/bands to the FB In jack to break the normalization. With this extra feedback “resonance” you can get more whistley and howly filter sounds kinda like the Serge res eq, which can also go into self oscillation.All CV ins are expecting +5v to open the VCAs (they wont respond to negative voltage), once you get closer to +8v or so it can clip the VCA regardless of the gain settings or clip switches. Output amplitude in high gain settings will exceed 10vpp and can get up to 20vpp. The envelope followers tend to stay around 0-5v out, but with clip switch active they can go up to 10v.Since this is a high gain module there can be bleed between the bands in certain configurations and situations. Also in high gain modes with higher frequencies the 2.8k and 7k bands can bleed a little with the VCAs closed.This is a highly involved DIY all through hole project. It is a long build with 5 different pcbs to solder and assemble.DIY-Kit-Type:Panel/PCB Kit. This is a do-it-yourself panel/PCB kit, no parts are supplied, you will need to source them yourself.