VCF & EQ
sold out at the moment
TouellSkouarn’s Kala Goanv is an inductor-based Eurorack filter that delivers an vintage tone somewhere between a phaser-like band-pass, a gnarly wah-wah and crunchy distortion. Simple in layout but rich in behavior, the Kala Goanv responds musically to hands-on tweaks. A dedicated cutoff CV input with an attenuator lets you add dynamic modulation, though the module’s frequency response is highly parametric — change one control and the whole character reshapes.Because Kala Goanv uses inductors, the circuit can pick up hum and stray electromagnetic fields; keep the module away from power transformers and noisy electronics for the cleanest results. The module is a compact, characterful filter that brings organic, wired-in vintage texture to modular patches.Features:• Inductor-based filter topology for a distinctive phaser/wa-wah/distortion character.• Large main cutoff knob with tactile vintage control.• Input and output level controls for level matching.• Highly parameter-dependent frequency behaviour – very responsive to knob adjustments.• Sensitive to hum and electromagnetic fields – avoid close proximity to power transformers.DIY-Kit-Type:SMD-Kit-1. This is a Do-It-Yourself kit, not an assembled module. The kit includes all parts to build the module. All SMD parts are pre-soldered, only trough-hole parts to solder. For build guide, more info, videos etc. please check the buttons below.
available
Skorn da Bask is a expert for creating Drones. Its composed 3 analog Oszillator and a low pass filter. The VCOs can not only be used to generate audio signals, but for modulating the VCF’s cutoff frequency as well.Features:• 3 analog OSCillators/LFOs• 1 analog Low Pass Filter (24dB)• Osc 1, 2, 3 CV Modulation input• Filter Audio Input• Filter Modulation inputDIY-Kit-Type:SMD-Kit-1. This is a Do-It-Yourself kit, not an assembled module. The kit includes all parts to build the module. All SMD parts are pre-soldered, only trough-hole parts to solder. For build guide, more info, videos etc. please check the buttons below.
available
Sonveskan is a three-channel mixer built from discrete components and germanium transistors, engineered to deliver gritty, analogue warmth and aggressive harmonic colour. Each channel features two serial gain stages (a front-panel drive control plus a PCB trim), voltage-controllable feedback with a dedicated feedback pot and CV input, a mute switch and a direct output. The main channel adds a two-band equaliser and an additional gain stage with its own trim for extra edge and saturation.Patching multiple strips together encourages wild feedback, multi-stage distortion and experimental textures, making Sonveskañ a compact but powerful tool.Features:• Three identical channel strips with dual serial gain stages.• Voltage-controlled feedback per channel with CV input and feedback intensity control.• Mute switches and direct outputs on each channel for flexible routing.• Main channel two-band EQ plus extra gain stage for added grit.• 2017 model fitted with larger coupling capacitors for improved bass response.• Built around germanium transistors and discrete circuitry for vintage, lo-fi character.DIY-Kit-Type:SMD-Kit-1. This is a Do-It-Yourself kit, not an assembled module. The kit includes all parts to build the module. All SMD parts are pre-soldered, only trough-hole parts to solder. For build guide, more info, videos etc. please check the buttons below.
available
Quad-Core Multimode FilterWhen we talk about the sound signature of synths, filters are probably one of the first topics appearing.On Atlas, we dive into the sound of the 80s Japanese classics with four gain-cell-based multimode filters that keep the silky and creamy sound of those legendary machines along with some technical improvements like a better noise floor, an accurate resonance compensation, and a daisy-chain input implementation that makes some patching techniques like parallel filtering a lot easier.The filter cores have been carefully designed and tweaked to be pristine without losing character. With three filter modes available per channel, 4p-LP, 2p-HP, and 4p-BP, Atlas can cover almost any filtering technique, from superb filter sweeps to multi-slope resonant patches.Thanks to its precise resonance circuit, each core creates a clean sine wave when self-oscillating. Excite the inputs with fast trigger or gate signals, and you will get TR-like drum sounds, from deep kickdrums to nice toms and congas.In addition, the module counts with a CV-controlled Interpolating Scanner circuit that morphs softly between each filter output, creating new shapes and timbres as it fades between the channels.Features:• Four analog multimode, gain-cell-based VCF circuits.• Three modes per channel: 4p-LP, 2p-HP, and 4p-BP.• Resonance compensation circuit.• Daisy-chained audio and Freq inputs.• Secondary CV input, selectable between Frequency or Resonance.• CV-controlled Interpolating Scanner circuit.• Input Impedance: 100kΩ• Output Impedance: 1kΩ• CV Inputs Range: 10Vp-p• Frequency Range: ∼ 20Hz to 20KHzDIY-Kit-Type:SMD-Kit-1. This is a Do-It-Yourself kit, not an assembled module. The kit includes all parts to build the module. All SMD parts are pre-soldered, only trough-hole parts to solder. For build guide, more info, videos etc. please check the buttons below.
available
This is the newest version of the MinEQ, it adds a rectified clipping feedback circuit to the EQ which produces a wider range of harmonic distortion, interactive self-oscillating, pseudo ring modulation, and richer filter esque timbres based on the input and knob positions. The new version does not invert the input anymore and does not self oscillate without an input present.This hybrid Baxandall circuit provides +/- 20dB~ of boost or cut control over the Low, Mid and High frequency bands of an audio input. The circuit is capable of up to 20vpp~ of boost(with a 10vpp signal) and attenuation down to 1-2vpp depending on the input. The frequency bands are centered near 30Hz(Low), 1kHz(Mid), and 10kHz(High). With all the potentiometers at noon, the MinEq passes the signal relatively unaltered.The Panel is reversible, one side with graphics and soulless side with less graphics.DIY-Kit-Type:SMD-Kit-2. This is a Do-It-Yourself kit, not an assembled module. The kit includes all parts to build the module. It includes SMD and through-hole parts! For build guide, more info, videos etc. please check the buttons below.
sold out at the moment
The SVF 2 pole 12dB State Variable Filter Eurorack Module in 4HPIt provides Low Pass, Band Pass, and High Pass outs inspired by WASP and Thomas Henry filter topologies. The filter has 2 audio inputs, but channel 2 is jumper selectable between standard audio in or Ping-able operation. The 2019 revision also adds improved cutoff and resonance response and attenuversion through the ACV IN using the above pot. CV IN provides another unattenuated voltage input to modulate the frequency.At the CV in, +10v will open the filter completely if the cutoff pot is CCW(counter clockwise). With the cutoff knob at noon the filter can be opened with +5v or closed with -5v. CV input at the ACV in is dependent on the CV attenuverter knob.There are also several jumper selectable modes for max resonance, self oscillation or no oscillation based on the setting of the resonance pot. According to the jumper configuration, the filter is capable of clinical and clean, to juicy and drippy, to low pass gate sounding plonks, to screaming chaotic resonance. When set to self oscillation mode, the filter can produce a sine like wave with no input and a trapezoid like wave in the max resonance jumper setting. In max resonance mode, the filter output can exceed 10Vpp. On the newest version, there is a trimmer on the top pcb to set the lowest cutoff frequency.DIY-Kit-Type:THT-Kit-1. This is a Do-It-Yourself kit, not an assembled module. The kit includes all parts to build the module. Only trough-hole parts to solder. Make sure to check the build guide before you buy. For build guide, more info, videos etc. please check the buttons below.
available
VC F3DB stands for Voltage Controlled Fixed Filter Feedback Distortion Bank. The simplest description is it’s an analog 16hp six band voltage controlled fixed filter bank. But with the additions of so much gain, clipping, feedback, and self-oscillation it becomes a very flexible and unique gestural sound sculpting tool capable of; graphic equalization over 6 octaves, multi-band distortion, spectral processing, crude vocoding, multi-frequency envelope following, self-modulation, and even as an instrument on its own. With no input it can be used as a pseudo chaotic “harmonic” feedback oscillator.The filter frequencies were specifically chosen to emphasize more ambiguous and dissonant intervals. Although the frequency bands are spread out over many octaves I purposely tried to leave out “3rds” besides a major 10th at the top frequencies to even out all the dissonance below. But the frequencies aren’t exactly equal tempered, so it’s relative. The bands roughly equate to F2, B3, F#5, C6, F7, A8.The design is based on the Moog 914 filterbank, which it borrows the frequency bands from. But this circuit uses active filters with opamps inspired by YU Synth opposed to passive cells using inductors on the original. The 88hz is a low pass -24db/oct and 7k is a high pass -24db/oct, the rest are -12db/oct band pass filters all with a Q around 4.The hard and soft clipping circuit on the input is fairly standard which appears in many different iterations of classic guitar pedals. But it has a lot of gain and can even boost line level signals. What makes it a bit unique is the feedback on the clipping circuit which needs to be turned on by the GFB(gain feedback) switch and the amount can be controlled by the Gain FB pot which can add some fuzz/bite to the signal depending on which clipping switch is engaged or at the extremes it will self oscillate from audio rate to LFO sort of clicking range. All the clipping stages in the module are using silicon diodes.Consult the Signal Flow Chart to the left for a rough visual breakdown of the controls,in/outs,normalizations, and optional settings for the module.Each band can also be muted by the top toggle switches or clipped(at the VCA) by the top slide switch which makes this design a bit different than other filter banks. As well as the overall feedback section(bottom middle) takes the sum/all bands out through a VCA(controlled by the feedback pot and FB CV) back to the input gain/clip circuit. and you can also tap into this using different sends/bands to the FB In jack to break the normalization. With this extra feedback “resonance” you can get more whistley and howly filter sounds kinda like the Serge res eq, which can also go into self oscillation.All CV ins are expecting +5v to open the VCAs (they wont respond to negative voltage), once you get closer to +8v or so it can clip the VCA regardless of the gain settings or clip switches. Output amplitude in high gain settings will exceed 10vpp and can get up to 20vpp. The envelope followers tend to stay around 0-5v out, but with clip switch active they can go up to 10v.Since this is a high gain module there can be bleed between the bands in certain configurations and situations. Also in high gain modes with higher frequencies the 2.8k and 7k bands can bleed a little with the VCAs closed.This is a highly involved DIY all through hole project. It is a long build with 5 different pcbs to solder and assemble.DIY-Kit-Type:THT-Kit-1. This is a Do-It-Yourself kit, not an assembled module. The kit includes all parts to build the module. Only trough-hole parts to solder. Make sure to check the build guide before you buy. For build guide, more info, videos etc. please check the buttons below.
only 2 left
This is the panel PCB version of this kit.VC F3DB stands for Voltage Controlled Fixed Filter Feedback Distortion Bank. The simplest description is it’s an analog 16hp six band voltage controlled fixed filter bank. But with the additions of so much gain, clipping, feedback, and self-oscillation it becomes a very flexible and unique gestural sound sculpting tool capable of; graphic equalization over 6 octaves, multi-band distortion, spectral processing, crude vocoding, multi-frequency envelope following, self-modulation, and even as an instrument on its own. With no input it can be used as a pseudo chaotic “harmonic” feedback oscillator.The filter frequencies were specifically chosen to emphasize more ambiguous and dissonant intervals. Although the frequency bands are spread out over many octaves I purposely tried to leave out “3rds” besides a major 10th at the top frequencies to even out all the dissonance below. But the frequencies aren’t exactly equal tempered, so it’s relative. The bands roughly equate to F2, B3, F#5, C6, F7, A8.The design is based on the Moog 914 filterbank, which it borrows the frequency bands from. But this circuit uses active filters with opamps inspired by YU Synth opposed to passive cells using inductors on the original. The 88hz is a low pass -24db/oct and 7k is a high pass -24db/oct, the rest are -12db/oct band pass filters all with a Q around 4.The hard and soft clipping circuit on the input is fairly standard which appears in many different iterations of classic guitar pedals. But it has a lot of gain and can even boost line level signals. What makes it a bit unique is the feedback on the clipping circuit which needs to be turned on by the GFB(gain feedback) switch and the amount can be controlled by the Gain FB pot which can add some fuzz/bite to the signal depending on which clipping switch is engaged or at the extremes it will self oscillate from audio rate to LFO sort of clicking range. All the clipping stages in the module are using silicon diodes.Consult the Signal Flow Chart to the left for a rough visual breakdown of the controls,in/outs,normalizations, and optional settings for the module.Each band can also be muted by the top toggle switches or clipped (at the VCA) by the top slide switch which makes this design a bit different than other filter banks. As well as the overall feedback section(bottom middle) takes the sum/all bands out through a VCA (controlled by the feedback pot and FB CV) back to the input gain/clip circuit. and you can also tap into this using different sends/bands to the FB In jack to break the normalization. With this extra feedback “resonance” you can get more whistley and howly filter sounds kinda like the Serge res eq, which can also go into self oscillation.All CV ins are expecting +5v to open the VCAs (they wont respond to negative voltage), once you get closer to +8v or so it can clip the VCA regardless of the gain settings or clip switches. Output amplitude in high gain settings will exceed 10vpp and can get up to 20vpp. The envelope followers tend to stay around 0-5v out, but with clip switch active they can go up to 10v.Since this is a high gain module there can be bleed between the bands in certain configurations and situations. Also in high gain modes with higher frequencies the 2.8k and 7k bands can bleed a little with the VCAs closed.This is a highly involved DIY all through hole project. It is a long build with 5 different pcbs to solder and assemble.DIY-Kit-Type:Panel/PCB Kit. This is a do-it-yourself panel/PCB kit, no parts are supplied, you will need to source them yourself.